Paper #2--Tales and Culture
Due November 30
RUS 370
Fall 2010
1) This assignment must be typed, double-spaced, 1
inch margins, 12 pt (or larger) type and submitted in hard copy, or I
will not accept it;
2) There
is no required length. Answer the questions as completely as you think
is necessary to prove your point, with emphasis on completely;
3) To
illustrate your understanding of applicable tale theory; to illustrate
your understanding of the function and structure of tales.
4) Assessment:
Score Tale Analysis
15 The paper presents a plausible analysis that goes
beyond the commonplace by offering original insights, both in terms of
the whole and particular parts of the tale.
12 The paper presents a plausible analysis and may
contain one or two original insights but on the whole does not go
beyond the common range of interpretations the class has
discussed.
9 The paper reiterates in general terms a common
interpretation of the material with no original
ideas.
6 This paper presents original ideas that weaken the
plausibility of the analysis.
0 The paper does not offer a data analysis.
Score Strength of
Argument
10 The paper offers a logical, coherent argument for
the analysis. All assertions are supported and amplified with details
from the tale or from other sources. The writer
pursues an original line of argument in at least one portion of the
paper.
8 The paper offers a logical, coherent argument for
the analysis but only partially supports or amplifies the assertions.
Or the writer does not pursue an original line of
argument.
6 The paper offers an argument that contains some
lapses in logic and/or offers only minimal support or amplification of
assertions.
4 The paper offers an argument that is seriously
flawed in logic or that fails to support or amplify
most or all assertions. The paper is basically a list with no
attempt to support the argument.
0 The paper does not present an argument to support
the data analysis.
Score Incorporation
of Counterarguments
5 This paper acknowledges significant
counterarguments (alternative interpretations and reasons) and either
effectively refutes or successfully accommodates them into the
interpretation being argued.
4 The paper acknowledges several but not all
counterarguments and refutes or accommodates
some.
3 The paper acknowledges at least one counterargument
(perhaps more) but is unsuccessful in the attempt to
refute or to accommodate it/them.
2 The paper mentions at least one counterargument but
makes no attempt to refute or accommodate it.
0 The paper ignores all counterarguments.
Score Relation to
the Whole/Significance
15 The significance of the analysis offered (either
in relation to culture as a whole or to a larger context of tales in
which the data are situated) forms an integral part of the argument.
The connections are profound, interesting, or
complex.
12 The paper makes clear the significance of the
analysis either in relation to culture as a whole or
to the larger context of oral poetry in which the data are
situated. The connections are
plausible.
9 The paper offers some mention of the significance
of the analysis or the significance is somewhat loosely implied. The
connections are plausible, but somewhat obvious.
6 The paper offers some mention of the significance
of the analysis, but the connections are not
plausible.
0 The paper makes no attempt to mention significance.
Score Spelling/Grammar/Citations
5 This paper has no errors in language, usage, or
citations (footnotes/bibliography) and uses the required number of
sources.
4 This paper has one consistent error in language,
usage, or citations and uses the required number of sources.
3 This paper has several errors in language, usage,
or citations and uses the required number of sources.
2 This paper has frequent errors in language, usage,
or citations and uses the required number of sources.
0 This paper is incomprehensible due to errors in
language, usage, or citations and does not use the required number of
sources.
Score Tale Function
and Structure
5 This paper demonstrates a thorough understanding
of tale functions and structure.
4 This paper demonstrates a reasonable understanding
of tale functions and structure.
3 This paper demonstrates a rudimentary/surface
understanding of tale functions and structure.
2 This paper demonstrates a poor understanding of
tale functions and structure.
0 This paper demonstrates no understanding of tale
functions and structure.
Score Tale
Theory
5 This paper demonstrates a thorough understanding of
tale theories we have discussed that it
applies.
4 This paper demonstrates a reasonable understanding
of tale theories we have discussed that it applies, but is not as
complete as it should be.
3 This paper demonstrates a rudimentary/surface
understanding of tale theories we have discussed that it
applies..
2 This paper demonstrates a poor understanding of
tale theories we have discussed that it applies.
0 This paper demonstrates no understanding of tale
theories we have discussed that it applies.
5) Assignment
The folk tale has been the source of much discussion from all major
theoretical approaches in the 20th century, from psychology to literary
theory to anthropology. One of the fundamental premises of folk tale
theory is that tales: 1) teach important cultural information to
children/reinforce it in adults; 2) have a particular structure and
function within society.
Choose three tales from Haney for your analysis: 1) Pick one tale from
pp. 24-138 (it need not be one we read); 2) Pick one tale from pp.
139-158; 3) Pick one tale from pp. 159-258 (it need not be one we
read). Because we discussed Finist the Bright Falcon in detail already,
that story may not be one of the tales you choose for this paper.
NOTE: Russian majors must use tales in the original language, so that
you should pick tales that correspond to these three tale types (magic,
legends, every day life and clever fools) from tale collections in the
library. All citations from these stories must be in the original
language. Your entire paper may be in Russian or in English, as you
prefer.
We have said that tales function to socialize the child (or remind the
adult) about proper behavior, e.g. body/not-body; food/not-food;
living/not-living; as well as more sophisticated distinctions such as
language peculiarities and social behavior (how to behave at a wedding,
funeral, birth, how to behave properly as an adult--male or female; how
to behave to elders, to the opposite sex, to authority figures, etc.).
Analyze what similarities and differences exist in the cultural
material and messages/lessons communicated to children/adults in these
Russian tale types. What do these messages indicate about the function
of this tale in particular and tales in general?
6) Steps for this paper to be most
successful:
1) Review the Haney tales we have discussed and
explore those we have not yet read. You are not limited to those we
read, and I encourage you to branch out. Work with tales you liked,
either as a child or while reading the Russian tales. If you like a
tale, you often have more insight into it;
2) Review the approaches to tales that we have
discussed: mythological school, structuralism, Radin, Bettelheim, Von
Franz and Jung. Other good sources include: Jack Zipes, Maria Tatar as
well as the following journals: Journal of American Folklore,
Folklorica (the on-line journal of Slavic folklore), Fabula, Marvels
and Tales, Trickster’s Way. You may find information on these journals
in the library, on JSTOR (the library database) and also on
http://www.pitt.edu/~dash/folklinks.html (click on the link
Organizations and Journals for a list and links). The assignment is
designed to result in a socio-cultural analysis in the structuralist
tradition, but it may be fruitful to compare that to other types of
approaches as well. You need to cite at least three print sources in
your bibliography, one may be an online source, if it is a scholarly
one, not just a site for fans of fairy tales, for example;
3) Once you have your three tales, begin the analysis
of the cultural messages. Ask yourself which messages are the same
among the tales and how they reflect important features of this
culture. More interestingly, which messages are different in the tales
and how do they reflect particular patterns (structural and functional)
of that tale type;
4) Write an outline of the paper. It does not have to
be a classic outline with A, B, C, but a sketch of the points you want
to make and the way you are going to prove them. Be sure that you
understand the concept of counterarguments: possible objections to your
claims that I (or another person) might pose. Anticipate alternate
conclusions and address why your interpretation of the data is better
than those are;
5) Your bibliography should include not only
references to all print materials, including the tales but also to web
sites or films you may have used;
6) Think for yourself. If you disagree about some of
the conclusions on tales we have made in class (or that theorists have
argued), by all means make your case. You need to think critically
about the data to write a convincing paper;
7) Give yourself plenty of time to do all these
steps thoroughly. If you try to rush this project, it will be obvious,
and the paper will not be as strong