Assumptions

Town and Gown Series, Spring 2003

Lead Instructor: Prof. Janet Carey Eldred

 

As lead instructor for this course, I’ve made the following assumptions: 

 

*      You are a part of this university.  You have something—intellectually—to contribute. I look forward to reading your work because I know I can learn from you—each and every one of you.

 

*      You are already good writers—that’s how you got to U.K.!  (Do you remember sitting for standardized tests?  Putting together your admissions application?  You jumped all those hurdles! You passed all those tests!) You are here because you have the potential to succeed.

 

Let’s define success in ENG 101 & 102:  It’s not important that you be the best writer who has ever graduated from U.K. (that’s a pretty darn elite club with the likes of Wendell Berry and Bobbie Ann Mason, to name just two).  There’s a lot of room for people who are just plain good, capable writers and researchers.

 

*      On the other hand, “good” here is relative.  Employers expect to hire college graduates who write and research “better than the average bear.”  This means that you should learn something in this course; it should be the beginning of your professional career.  Yes, you can search the web or find sources through InfoKat; most high school graduates can.  Your research and composition skills must be sharper.  

 

*      Brilliant people aren’t always the best students.  I’ve met many a brilliant student who just gets by; I’ve met a few who fail because they’ve banked much much much too heavily on their brilliance.  Employers are on to this.  Brilliance is fine—if it’s combined with passion for and dedication to the work at hand.

 

*      Your first and most important job is your education.  And here I’ll preach: Invest in your future, not in stereos and compact discs and the like.  Cut up your credit cards, since they will steal your most precious resource—your time (you’ve got to work to pay them off.) 


Instead, here’s the traditional “funding formula” for college: 
for every one hour in class, you can expect to spend two hours outside of class. It’s a standard college rule—and it works. Your ENG 102 instructor will often specify how to spend that two hours preparation tume.  Your instructors in other courses might not—but you should still be making that investment.

 

*      Throw yourself into your course work.  Make yourself find something to like in every course, especially if you’re not immediately attracted to the subject matter.  Eventually, you’ll major, and life will get easier because you’ll be pursuing what interests you.  Most people do well when they like what they’re doing, so the trick is to make every single course attractive in some way. 

Don’t rely on your instructors to create that interest or inspire that passion—we don’t have good track records.  And for good reason. We might be able to pick a specific assignment that fits Julie Jones perfectly, but what about the other 24 students in her class?  Trust yourself; you know what interests you, what floats your boat.  In practical terms, imagine this difference in letters of recommendation:  “Martin shows up and does what’s required” vs. “Martina is an engaged student who produces excellent work.”  Whom would you hire?  Whom would you want working for you?  Enthusiasm is contagious.  Sleep, take vitamins, and work up some enthusiasm for all of your classes (even math). Education is not entertainment:  It’s not your teacher’s job to make you interested.  Her job (or his job) is to be interested in and passionate about teaching. 

This is a huge part of your work in English 102, a huge part of writing generally.  In The Art of Creative Nonfiction, Lee Gutkind, a professional writer, has this to say:  “Learning how to write is hard enough, but deciding what to write about . . . is the most difficult task a writer must confront.”  As he explains, “The task is double-edged. . . . [S]ubjects are around us everywhere; on the other hand, they are astoundingly elusive.”  His advice?  “Find a subject that intrigues and motivates you and that will simultaneously intrigue and motivate readers.” If you are bored by your own work, just imagine what your readers will experience. . .

 

*      Get to know your instructors and classmates, have faith in your intellectual abilities and the many gifts and talents your classmates bring, and finally, enjoy the semester!

 

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